From art exhibitions to theater, Baghdad is experiencing a cultural revival

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Baghdad (AFP) – Art exhibitions, book fairs on the Tiger and Godot in Baghdad, after decades of conflict and unrest, the Iraqi capital is experiencing an artistic renaissance.

“People need art, they want to develop their artistic taste – it’s a loophole,” said Noor Alaa al-Din, director of art space The Gallery.

“We are like any country, we have the right to art for our entertainment.”

The Iraqi capital often makes the headlines of violence and geopolitical rivalry.

But behind the conflict, tensions and recently the pandemic, a burgeoning cultural renaissance has emerged in recent years, reminiscent of a golden age when Baghdad was considered one of the cultural capitals of the Arab world.

Galleries have opened and festivals have flourished, drawing crowds eager to make up for lost time.

Iraqi-Canadian artist Riyad Ghenea recalls that the Baghdad he left is not the same he returned in 2011 Sabah Arar AFP

The Gallery opened just over a month ago, but visitors line the corner on the opening night of any show.

In a recent exhibition, Iraqi-Canadian artist Riyad Ghenea paid tribute to his late mother with a series of brightly colored abstract compositions.

She “went through all the phases that Iraq went through,” said the artist, returning to Baghdad in 2011.

On his return, “I did not find my mother or the country I had left behind,” he said.

“Relieve stress”

Years of sectarian violence followed the 2003 US-led invasion that overthrew former Iraqi dictator Saddam Hussein.

The rise of the Islamic State militant group in 2014 saw more brutality and bloodshed.

Amir, a 25-year-old pharmacist, admits that his entire childhood was accompanied by conflict.

“Art allows us to relieve the stress in our daily life,” he told AFP from outside The Gallery.

Normalcy hangs by a thread in the Iraqi capital, where rocket and drone attacks sometimes target its heavily fortified green zone, and where a suicide bombing in July on a market killed more than 30 people.

Festival volunteers
Volunteers at the “I am an Iraqi, I read” festival in Baghdad listened to requests and distributed books to visitors for free AHMAD AL-RUBAYE AFP

It was also the scene of massive youth-led anti-government protests in 2019 and a bloody crackdown that followed.

But on a balmy November afternoon, thousands of visitors gathered on the banks of the Tigris for the eighth edition of a book festival.

The organizers of the “I am an Iraqi, I read” event distributed 30,000 books free of charge, from fiction to philosophy to foreign languages.

An old Arabic saying goes that books are written in Cairo, printed in Beirut and read in Baghdad.

A singer accompanied by traditional instruments performed local folk music as fashionably dressed young people, couples with young children and the elderly enjoyed the event.

“Goosebumps and tears”

Foreign individuals and institutes have largely contributed to Baghdad’s cultural renaissance in this oil-rich country.

Last month however, the city hosted the second edition of an international theater festival, organized by the Ministry of Culture.

During the opening nights of an international theater festival in Baghdad,
On the opening nights of an international theater festival in Baghdad, “the audience overflowed the hall,” said the director of the host hall. Sabah ARAR AFP

“The audience overflowed the hall” in the first few days, said host venue manager Ali Abbas.

“The Iraqis were afraid to go out on the streets,” he said. “The situation has radically changed.

Troops from Egypt, Tunisia, Germany and Italy performed for free, and the Iraqis also had the chance to shine.

Among them was director Anas Abdel Samad, who directed a performance of his play “Oui Godot”.

German actor Hanno Friedrich, on his first trip to Baghdad, was among the foreigners who performed at the festival with his play “Tyll”, adapted from a novel mixing European folklore and the religious conflict of the Thirty Years’ War which took place mainly in Central Europe during the 17th century.

“They told us ‘don’t go, it’s dangerous,'” the 55-year-old said, but his experience shattered those stereotypes.

“People went on stage and gave us a hug. They told us they had never seen anything like it,” he said.

“We had goosebumps and tears in our eyes.”


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